Top Influencer Marketing Agencies in Singapore

Ogilvy has a Singapore office and combines influencer services with advertising and public relations. Its international work is useful to a Singapore team buying a campaign idea that must carry across creator content, brand channels and public activity. The cases show the broader operation around that idea.

For Hellmann’s in the UK, a temperature-sensitive mayonnaise jar gave creators a demonstration of food storage. TikTok and Instagram influencers joined brand fans and food-waste campaigners in the programme. The campaign earned more than 160 pieces of online and print coverage.

For LEVEL at Barcelona Pride, creators appeared within a sponsorship programme spanning social content, outdoor advertising and live activity. The full campaign reported an 18% uplift in bookings and a 39% increase in revenue during its run.

Ogilvy fits a brief where your Singapore lead needs creator work connected to a larger brand plan. Its examples show a product demonstration and an event sponsorship serving that purpose in different ways. Use the proposal to define which parts of the campaign the local team will own and how creator approvals join the wider brand decision process.

DEPT has a Singapore office and manages influencer campaigns through strategy, talent sourcing, contracting and reporting. Its selected European work is relevant to a regional marketing team because it shows both a focused creator programme and a continuing relationship with a large brand’s social operation.

For BISSELL, DEPT matched cleaning products to pet, family and cleaning creators in the Netherlands, Germany and France. The organic video programme used demonstrations within everyday situations and reported 15.5M organic impressions. The agency describes creator education and room for individual interpretation as parts of the production approach.

Its eBay relationship includes social strategy and a more structured role for influencers across the UK and Germany. Within that relationship, the Love Island sponsorship programme reported 217M impressions and 76K organic engagements across its combined activity.

DEPT is a candidate when your Singapore team needs campaign delivery to connect with an established content operation. BISSELL offers a model for a defined pilot, while eBay shows creators within continuing brand work. Establish the country responsibilities and reporting your team needs, then use those examples to discuss how the agency would manage the proposed scope.

We Are Social operates a Singapore office and combines social strategy, creative work and managed influencer campaigns. Its published international cases show how a creator idea can invite participation or extend a story beyond the brand’s own account. That is useful for teams buying a social campaign with a clear public-facing concept.

For Barilla in Italy, Roger Federer surprised the young players whose rooftop tennis rally had drawn attention online. He joined them for a match and lunch. The resulting Rooftop Match film recorded 35M views.

Its Pringles TikTok work used star influencers to introduce a challenge that people could join. The case reports 4.7B challenge views, including participating community content, and a 13% average TikTok engagement rate. Brand-lift measurements were also reported in Italy and France.

For a Singapore-led brief, We Are Social is worth considering when the creative idea must leave space for audience response. The cases give your team different models: a story people watch and share, and a format they can perform themselves. Define which kind of participation matters to the campaign before agreeing the creator and distribution plan.

1000heads has a Singapore office and manages influence, community work and content production. Its case evidence is relevant when a Singapore team wants creator partnerships to shape the wider social programme, with repeated content and audience response connected to the brand’s direction.

For Google Gemini Live, the agency combined creator partnerships with social ads and street interviews. Street interviews used Gemini to roleplay awkward family conversations, making the feature something people could try in a familiar situation. The programme reported 15.4M social views and a 25% relative lift in unaided awareness during the campaign.

Kerrygold’s programme across the UK, US, Ireland and Germany changed the brand’s social content and broadened its creator collaborations. The agency reported a 120% increase in recipe saves across that wider programme. Creator work sat alongside new content series and community activity.

The practical fit is a brief in which your team wants an agency to stay involved after a launch. Google shows product explanation through people using a feature; Kerrygold shows ongoing development of the brand’s social presence. For a regional assignment, agree the country responsibilities and the reporting detail that will let your Singapore lead manage those activities.

M&C Saatchi operates in Singapore and offers specialist social and creator marketing services. Its selected work connects talent choices with a specific audience interest, using either an ongoing partnership programme or a timely travel activation. Those are different options for a Singapore team planning how a brand should appear through creators.

The Samsonite case, published within its Americas work, used travel and lifestyle creators in a continuing content strategy. It reported more than 7.3M social impressions and a 16% increase in brand searches. The product appeared within the kind of travel content the selected audiences already followed.

Visit Iceland took a different approach, inviting reality-show personalities to experience the destination for fans following their story. The programme’s social posts recorded 19.6M views.

M&C Saatchi suits a buyer deciding how sustained creator relationships and campaign moments should work together. Use Samsonite to examine a continuing content approach and Visit Iceland to discuss a defined activation. The Singapore proposal should identify the team owning those decisions and how local or regional audiences will be reflected in the casting.

Weber Shandwick has a Singapore office and offers creator identification, contracting and creative collaboration within its communications services. Its work is relevant to a local or regional team that needs the creator idea connected to a public story and a wider distribution plan.

For Brawny, influencer collaborations supported a playful cleaning-service idea across paid and organic social, with earned media extending the campaign. The agency reported 1.8B earned impressions for that combined activity. The result reflects the communications programme around the concept.

For SKITTLES Littles in New York, creators designed and toured a branded micro-apartment offered with a year of free rent through a giveaway. The campaign attracted more than 17K applications. The product’s size supplied the creative idea, while the apartment gave the audience something concrete to explore and apply for.

Weber Shandwick is suited to a brief where creator content must work with publicity and an audience action. Its Singapore team can be assessed against the local execution you need, with the international cases providing models for discussion. Set out the customer action and approval owner, then define how the proposed creator work and earned activity will be planned together.

Burson has a Singapore office and provides managed creator programmes as part of its communications offer. Its selected cases are useful when the agency brief includes the activity before and around a launch, with creator content linked to a wider moment the brand wants people to notice.

For Starbucks in Thailand, Burson seeded the Harry Potter collection with influencers before a media and blogger launch event. The combined campaign reported reach of nearly 18M and recorded over 5.3M engagements. Creator anticipation and event coverage formed parts of the same programme.

Its UK Call of Duty work used a filmed creator competition built around a recreated safehouse. Creator and brand channels, streamers, press and paid social supported distribution. The campaign reported 12.6M organic views.

These examples give a Singapore marketing team concrete options for the role of creators in a launch: previewing a collection or taking part in an entertainment format. Burson fits a shortlist when that activity needs close coordination with communications and production. Define which parts are domestic and which involve regional teams so the proposal can assign approvals and reporting to the correct owners.

Gushcloud has a Singapore office and combines creator management with brand partnerships and production. Its selected campaigns show how a marketing team can buy the activity surrounding a talent relationship, including content and fan experiences, within a managed programme.

For SimInvest, the work targeted Indonesia and combined a brand ambassador with television-commercial production and a Jakarta launch. A Seoul fan activation was also part of the programme, which reported 2.6M total views. The case is a useful example of distinct activities serving a common partnership across locations.

For Bandai in the US, Instagram and Twitter creator giveaways promoted a card game. Gushcloud reports over 113.9M total reach and over 21K engagements for that campaign. It provides a separate example of activating an existing product community through creator channels.

Gushcloud is relevant when your Singapore team is deciding how to structure a talent partnership and the content around it. The selected work spans ambassador-led production and creator giveaways, with different delivery requirements. A regional proposal should make the audience markets, talent responsibilities and local approvals explicit so the central team can manage the partnership at the right level.

Narrators is headquartered in Singapore and provides managed creator campaigns alongside its own platform. Its local cases show travel storytelling for an ongoing partnership and content designed to bring people into a product experience. These give a consumer marketer different models to examine before commissioning the work.

For Income, travel and lifestyle creators shared their own travel experiences while showing the value of travel insurance. Content ran across Instagram, YouTube and TikTok. Narrators reports over 3.4M organic views across the continuing partnership, keeping that figure at programme level.

For Samsung, micro creators previewed upcoming launches through Instagram Stories, encouraged visits to the Experience Store at VivoCity and covered the brand’s media and trade event at Jewel Changi. The case reports 111K engagements and 40 content pieces across the activation.

Narrators fits a Singapore brief in which the creator has a practical role in the customer journey. Income used personal travel stories to explain an insurance product; Samsung connected launch content with places consumers could see the devices. The cases make both the content format and the local delivery task visible.

X10 Media is headquartered in Singapore and manages creator campaigns through selection, execution and performance reporting. Its local product cases are useful for a buyer who wants to see how creators introduce an offer within the market and how the agency reports against a stated objective.

For Hunt & Brew’s Singapore convenience-store launch, the agency reported that engagement rate exceeded its target by 1.64x. That measure compares the campaign with its planned target. The work provides a product-launch example where the creator content supported local availability.

For DENTISTE, X10 Media used Instagram and TikTok creators in a Singapore programme. Its best individual posts recorded 64K and 82K views. Keeping those as post results makes the case useful for discussing creative performance without turning them into a combined campaign viewing total.

X10 Media is suited to a shortlist centred on domestic creator execution. Its examples give your team a launch brief and a product-content programme to inspect. Agree the customer action and how targets will be set, then ask the proposed team to connect its creator choices with the audience evidence and reporting required for your campaign.