Top 11 Travel Influencer Marketing Agencies

YKONE was founded in Paris in 2008 and works in luxury, beauty and travel, with teams across Europe, the Middle East, Asia and Latin America.

Its travel work is always-on rather than campaign-shaped. A destination or a resort is kept in creator content continuously, month after month, and events are dropped into a programme that was already running. That is what a brand buys here: presence, in categories where presence is the product. The scale is real and the reporting is blended, and most of YKONE's travel record sits in decks rather than on its website, so only some of it can be checked.

Experience Abu Dhabi's NBA Games 2025 programme reports 403.5M reach, 2.2B impressions and 24.8M interactions across a season of creator and celebrity travel. Wynn Las Vegas's creators programme put 84 creators behind 1,500 posts for 417M impressions at a 2.2% engagement rate and $9.4M in earned media value, which is a media estimate rather than revenue. Explora Journeys' Ocean State of Mind, the inaugural season of one cruise ship, took 19 creators and 555 posts to 74.5M impressions and 611.4K interactions.

Best for a destination or luxury hotel that wants to be permanently present, and will accept a blended figure for it.

Open Influence was founded in Los Angeles in 2013 and runs creator campaigns for entertainment, travel and consumer brands from there.

What it sells in travel is delivery you can audit. Every result is printed beside the goal it beat, so the over-delivery is checkable rather than asserted, and the figures are organic platform numbers rather than press estimates. What it does not publish is what travellers did next: no booking, search or revenue figure appears on any of its travel cases.

Visit Philadelphia's destination campaign put 35 posts in front of a combined creator audience of 5.5M+ for 2.1M+ organic impressions and 55K+ organic engagements, at 627% of the impressions goal and 440% of the engagements goal. Uber's Comfort Electric sent six creators to rediscover their own cities for 1.6M+ views and 361K+ engagements. The Las Vegas Convention and Visitors Authority campaign over-delivered its impressions goal by 176%.

Expect a report that measures the media plan precisely and the business not at all.

Best for a tourism board that wants creator delivery reported against a stated goal.

Disrupt Marketing was founded in London in 2010 and runs creator campaigns for travel, food and consumer brands from there.

Its travel work is the single big activation, and it publishes the inputs beside the outputs. The creator count, the content count and the forecast are on the page next to the delivered figure, so a reader can see how a number was built. Its results are impressions and engagement against forecast, and none of its travel cases carries a booking or a revenue figure, though the same agency publishes both in other categories.

Wizz Air's Let's Get Lost took 36 creators and a planeload of competition winners to a destination revealed on arrival, and 700 pieces of content produced 138M impressions and 5.7M+ engagements at a 5.5% engagement rate, 1526% of the forecast impressions. Delphin Hotels' campaign delivered 8.6M+ organic impressions and 238K engagements at 2.77%. Madame Tussauds London's Gen-Z campaign ran to 650K impressions and 33K+ engagements at a 6.8% engagement rate, and Wonderful Indonesia's UK food-creator push took 5.8M impressions.

Best for an airline, attraction or hotel group that wants one big creator trip with the scale on the page.

Vero was founded in 2007 and is a communications consultancy running from Bangkok, with teams across seven Southeast Asian markets.

It is a public-relations firm that runs creators, and its travel record reads that way. A programme starts with an earned-media idea, creators and KOLs carry it, and press picks it up, so half of Vero's published figures are coverage counts and press reach rather than creator delivery. Read those apart and the creator layer is strong: Vero is one of the few agencies on this page that publishes a demand signal.

Air New Zealand's Soar Beyond put one Thai creator behind 14.3M views, 4.6M reach and 109K engagements, and Thai-language Google searches for New Zealand rose 80%, with 180K searches during the campaign window. Booking.com and the Tourism Authority of Thailand's #ExploreThaiTaste took a short run of creator posts to 162K engagements inside a campaign reporting 2.52B impressions across earned media and creator content together. The second-year Thai Foodie Map produced 547K engagements and 8.8M impressions from creator posts, with 205 pieces of coverage. Singapore Changi Airport's two-day social stunt drew 11M paid reach and 1M engagements.

Best for a destination or airline entering Southeast Asia that wants creators inside a communications programme.

Pepper was founded in London in 2019 and is a small creator agency whose published work leans on travel: eight travel cases, more than any other agency on this page.

What it sells is the campaign reported against its own plan. Every case prints the target beside the delivery, so the over-delivery is checkable, and one case goes further than anyone else here and publishes a bookings figure. That figure comes with a caveat the page prints itself: the 12.2x return is measured on campaign-exposed users with no spend stated.

Visit Britain's road trip put one creator behind a hero film, a Reel and a run of Stories localised for France and Germany, for 21.6M impressions, a +195% lift in booking intent among exposed audiences and bookings up 15% year on year in those markets. Trainline's campaign turned 6.85M impressions into 86K clicks at a 10% engagement rate. Enterprise's six-country programme delivered 81 pieces of content and 21.4M impressions at a 5.48% click-through rate, and Princess Cruises' creators reached an audience 73% new to cruising at a 5.9% engagement rate.

Best for a tourism board, cruise line or rail brand that wants creator campaigns reported against a plan, and once against bookings.

HireInfluence was founded in 2011 and runs creator campaigns from Los Angeles, with offices in Austin and New York.

Its travel work is the launch activation. Creators are cast in paired cohorts around one moment, a new route or a national expo, and the mechanics are on the page: who posted, in what order, on which channel. The reporting is clean and every figure verifies, but it stops at engagement. Southwest's brief was pre-sale tickets, and no ticket figure follows.

Southwest Airlines' first-ever Hawaii routes were unveiled by six mainland creators and then handed to six Hawaii-based creators for Instagram Story takeovers, for 56M impressions and 3M engagements at a $0.03 cost per engagement. Taiwan Expo's US launch for TAITRA ran creators inside a campaign that also bought billboards, radio and press, and reports 7.1M impressions, 135K engagements, 6K clicks and 102K messages opened across all of it.

Best for an airline or tourism body launching a route or an event with creators as one layer of a bigger push.

Allison Worldwide was founded in 2001 and is a communications agency run from New York with offices across the United States, Europe and Asia.

It is a public-relations firm that runs creators, and its travel results read that way: the headline number is press, and the creator number sits beside it two or three orders of magnitude smaller. Read them apart and the creator ideas are sharp, built to give the press something to cover rather than to deliver reach on their own.

Booking.com's APAC campaign built one unbookable suite at RYSE in Seoul around K-pop soloist KANGDANIEL, and one fan booked it for a token price: 630K+ organic reach through the artist's own channels, 700 pieces of positive coverage and 98K+ impressions on the brand's channels. Kimpton's Stay Human Creator Collective, the hotel group's first international campaign, reports 2.1B global media impressions, an earned-press figure, against 700K influencer impressions from the creators themselves.

Expect the creator layer to be the smaller line in the report, and buy it for the idea.

Best for a hotel group or travel platform that wants a creator idea built to earn press.

The Influencer Marketing Factory was founded in Miami in 2018 and runs creator campaigns for music labels, apps and destinations across TikTok, YouTube and Instagram.

Its travel work is volume: hundreds of creators over a season, reported on views and audience size rather than on anything a traveller did next. None of its travel cases publishes a click, a download count or a return, and two of the three print the creators' follower totals as if they were results. The delivery figures underneath are real and verify on the page.

Airalo's Latin America programme put 266 creators behind three traveller personas over three months, for 42.8M+ combined views and 193K shares and saves, and the page says it drove app installs without counting them. Korea Tourism Organization's #VisitKoreaFromHome reached 1.2M people for 1.6M+ TikTok views. ALG's resort brands, CheapCaribbean, BeachBound and Apple Vacations, took 1.8M+ TikTok views and 570K Instagram views across a group programme.

Best for a travel app or destination that wants creator volume across Latin America and Asia, reported on views.

Hoopla Marketing was founded in Manchester in 2014 and is a small team that runs creator and paid social campaigns for UK hotels and consumer brands.

Its travel work is the hotel visit programme. Local creators with authority in a niche are hosted at one property, brief in hand, and paid social runs behind their content to push it to the hotel's target audience. It is the most commercial reporting on this page and the least explained: most of its hotel cases publish a return on ad spend, and none publishes the arithmetic. Most of its published hotel cases are also one client group.

Exclusive Collection's programme across four luxury hotels put 49 creators behind 536 pieces of content for 8M reach and 567K engagements, at a 30.2x return on ad spend as the agency publishes it, basis unstated. The Manor House campaign ran 158 pieces of content to 287K engagements at 20.8x on the same basis. Warner Leisure Hotels, the one independent client, gave its creators tracked affiliate links for 850K impressions and 90.3K engagements, and publishes no return.

Ask for the return arithmetic before you buy the return.

Best for a UK hotel or resort that wants local creator visits with paid amplification behind them.

House of Marketers was founded in London in 2020 and runs TikTok-first creator campaigns with paid media behind them, mostly for apps.

Its travel record is one hotel and one season, and the outcome it reports is the honest kind: growth on the client's own channel rather than a reach estimate. The page says the brief was conversions, and no conversion figure follows, so the case is proof of an audience built, not of rooms sold.

Ibiza Rocks sent lifestyle and student micro-creators to stay at the hotel and post unscripted under #ThisIsIbiza, for 40K+ new followers on the hotel's TikTok account, 5M+ video impressions and a 12% engagement rate, with month-on-month follower growth of 150% on an unstated base. The same campaign appears on two of the agency's pages with identical figures, so it counts once.

Best for a hotel or venue that wants a TikTok account built by creators who stayed there.