Top 11 Facebook Influencer Marketing Agencies

Edelman has been in business since 1952 and is a global public-relations firm run from New York with offices in every major market.

On Facebook it runs the earned-media idea with a paid social layer behind it. Its Facebook cases are Heineken programmes where the platform carried paid impressions inside a much larger campaign, and the results are reach, mentions and sentiment rather than sales. Two of its three Facebook cases are the same client, and the third is a magazine partnership rather than creator work, so it is left out here.

Heineken's The Social Swap produced 1.4B+ total impressions, well above its KPI, with 7,800 mentions across 35 countries, 77M campaign film views at a 100% completion rate and 226M paid social impressions. Heineken's F1 Drive-In for NHS workers reached 60M on social with 88% positive sentiment.

Best for a brand that wants a social idea big enough for press, with Facebook as one of many channels.

Open Influence was founded in Los Angeles in 2013 and runs creator campaigns for entertainment, travel and consumer brands from there.

What it sells on Facebook is delivery you can audit. Every result is printed beside the goal it beat, so the over-delivery is checkable rather than asserted, and its Facebook cases are all creator work with organic platform figures. What it does not publish is what anyone did next: no sale, sign-up or return appears on any of them, and Facebook is one channel in each blend.

Visit Philadelphia's destination campaign put 35 organic posts behind 2.1M+ organic impressions and 55K+ organic engagements, at 627% of the impressions goal and 440% of the engagements goal. Amazon Prime Video's Jack Ryan launch drew 5.1M impressions from 33 posts across Instagram, Facebook and YouTube. California Lottery's holiday scratchers campaign ran at a $4.32 CPM with 13K clicks, 4,692 saves and 500K+ story views.

Best for a destination or entertainment brand that wants creator delivery reported against a stated goal.

We Are Social has run social-first campaigns from London since 2008, with offices from Los Angeles to Jakarta.

On Facebook it builds the moment first and runs it across every platform at once, so its Facebook figures are always part of a blend and the page never breaks them out. One of its four Facebook cases is a decade-long channel management retainer with no results published, and that one is left out here.

Pepsi's opening ceremony for the UEFA Champions League final drew 250M+ views and 3M likes across TikTok, Instagram and Facebook combined, with 2M people on the TikTok live broadcast. Interpride's Global Pride Crossing produced 1M minutes watched across Twitch, Facebook and YouTube, 25M hashtag impressions and 90 pieces of news coverage. eBay's Gen-Z campaign lifted positive sentiment to 81% against a 51% benchmark and relevancy to 73% against 60%.

Best for a brand that wants a creator-fronted live moment built for TikTok, Instagram and Facebook together.

Viral Nation was founded in 2014 and runs creator campaigns from Toronto, with a client list across games, consumer and entertainment brands.

On Facebook it runs the always-on creator programme across Instagram, Facebook and TikTok and reports the blended total, never Facebook's share. Its Facebook cases are clean on the page and stop at interactions: none publishes a sale or a cost, and the agency-level return multiples in its marketing are tied to no case here.

Michael Phelps' Chilly GOAT Cold Tubs drew 5M views and 169K engagements across an eight-month programme of 556 content pieces from 18 creators. PUBG Mobile's Star Challenge produced 3.5M reach, 2.4M impressions and 1.5M interactions across five platforms. Energizer's holiday campaign delivered 806K views, 832K interactions and 4.6K clicks from six creators.

Best for a games or consumer brand that wants always-on creator programmes across Meta and TikTok.

The Goat Agency was founded in London in 2015 and runs creator campaigns worldwide, with a client list across fashion, food and consumer brands.

On Facebook it runs creator content through paid media, and it is the only agency on this page that publishes a purchase count beside a return with its basis stated. Facebook is the paid amplification layer on its strongest case rather than the creators' home, and the page says so. Its largest engagement figure is a five-year total, labelled as such below.

Calvin Klein's holiday campaign put eight fashion creators behind 4.3M impressions, 34K clicks and 847K engagements, for 6.7K purchases at a 7.02 return on ad spend. Mars Wrigley's Crispy Rolls drew 12M engagements and 32M impressions at a £0.02 cost per engagement. Qualcomm's Snapdragon at Coachella produced 265M impressions, 14M engagements and $422K in attributable revenue from three creators, and NIVEA's 65M engagements are a five-year total.

Best for a fashion or consumer brand that wants creator content run as Meta ads and measured on purchases.

Influential was founded in 2013, runs from Las Vegas and matches creators to brands on its own platform, with a client list across food, media and consumer brands.

On Facebook it runs creator campaigns across TikTok, Instagram and Facebook and publishes counted outcomes, visits and sales, where most of this page publishes reach. Facebook is a channel tag rather than a reported platform on its cases, and one of its pages uses the same number for views and store visits, so the figure below carries the label the page gives it.

ESSENCE Festival of Culture's creator campaign drove a record $684K in ticket sales and 150K site visits at a click-through rate 25% over benchmark, with 98% positive sentiment. Denny's year-long partnership put creators behind a year of new meals for 1.6M attributable visits and ad recall 107% over the Facebook and Instagram benchmarks. Audible's campaign drew 250K organic video views at a view-through rate 69% over benchmark.

Best for an events, entertainment or restaurant brand that wants creator campaigns measured on visits and sales.

Vero was founded in 2007 and is a communications consultancy running from Bangkok, with teams across seven Southeast Asian markets.

It is a public-relations firm that runs creators, and on Facebook it has the one case on this page that ran on the platform and nowhere else: a creator takeover of the brand's own page. Its other Facebook cases are multi-country programmes with press and creators mixed, one of which prints an estimated reach so large it is a unit error, and that figure is left out here.

Bilibili's watch party with Andre Knite took over the brand's Facebook page with no paid support for 500K+ organic reach, 118.5K engagements, 30.7K clicks and 16% follower growth. DORCO's year-long campaign reached 14.5M people with 13M impressions across Instagram and Facebook, 3M engagements and 120K participants. Singapore Changi Airport's two-day social stunt drew 11M paid reach and 1M engagements.

Best for a brand in Southeast Asia that wants a creator moment on its own Facebook page.

The Shelf runs creator campaigns from Atlanta on its own influencer platform, with a client list across food, retail and health.

On Facebook it writes its cases as delivery against a contract, with the goal beside the result, and it is one of two agencies on this page that publishes a Facebook-specific figure inside a wider campaign. Its stat counters render as zero without a browser, and several of its pages carry two different values for the same metric, so the entry uses the figure the page repeats.

Peelz Citrus' campaign delivered 41.1M impressions against a 21M goal and 1.7M engagements against 1.2M, with 145% of the promised assets delivered and Meta's Advantage+ optimisation cutting CPM 26% while lifting CTR 17%. KIDZ BOP's summer and holiday campaigns reached 3.6M+ people, with one Facebook video passing 370K views on its own. Savers Value Village's programme delivered 93M+ impressions over two years, three quarters of them paid, and Natori's holiday campaign reached 2.6M for 50K engagements at a 4.42% engagement rate.

Best for a US consumer brand that wants creator campaigns delivered against a contract and amplified through Meta.

House of Marketers was founded in London in 2020 and runs TikTok-first creator campaigns with paid media behind them, mostly for apps.

On Facebook it runs creator content as paid social, with Facebook as the amplification layer beneath TikTok and Instagram creators, and it publishes cost per outcome on most of its cases. Every figure is a cross-platform total, and its stat counters render as zero without a browser, so the numbers below were read from the page's own markup.

Daily Burn's programme produced 7,500 paying subscribers at a cost per acquisition more than 60% below target, from 30M+ impressions and 300K+ clicks across four platforms. Hint's programme acquired 1,500+ paying subscribers at a $30 cost per acquisition from 200K+ landing-page views. IGG's Lords Mobile campaign drove 82K app installs at $4 each from 9M video views, and Artisse's AI app took 18K+ installs at $2.50 each from 8M+ video views.

Best for an app or subscription that wants creator content run as paid social and measured on cost per acquisition.

Zorka.Agency has run campaigns from Limassol since 2014 for game publishers, and publishes pricing tiers from $20K+ on its homepage.

On Facebook it runs game launches and brand collaborations with creators across YouTube, TikTok, Meta and X, and reports a blended view count with Facebook folded into Meta. Half of its Facebook-tagged record is esports management rather than creator work, its stat blocks print the word positive where a return should be, and its figures live in the page's data rather than its visible text.

Tencent's PUBG Mobile brand collaborations drew 31M campaign views at a 9% engagement rate across a run of partner promotions. Plarium's build with Kamui Cosplay produced 25M+ campaign views at an 8% engagement rate from a two-month collaboration.

Best for a game publisher that wants creator launches across Meta, YouTube and TikTok, from $20K.